Sample of a Statement on Bourbon Reform Essay

Sample of a Statement on Bourbon Reform EssayWhat is a sample of thesis statement on bourbon reforms? This is a sample of the statement, you have to create for your thesis when you are writing a bourbon reform thesis. Bourbon reform is a popular issue to be discussed by the academic community. You can choose any topic you want and in this case it is bourbon reform.First of all you should note that bourbon has been involved in many scandals in America. However, you have to understand that the bourbon has to date been a myth that has been displayed as an important aspect of American culture and tradition. Therefore, this is an example of the thesis that you need to write to support your arguments.Second, you need to make sure that you include an example of this because American bourbon industry is quite big. The example of the statement, you have to create can include as a whole or any part of the statement.Third, you need to include as much information as possible. The more informatio n that you have the better. For example, you may need to provide information about the history of the whiskey that you are discussing. This information may come from the various studies that have been done on the drink.Fourth, the example of the statement you have to create should be a very strong one. You should start with a strong statement that can explain the reasons behind the flaws and the effects. The example of the statement you have to create should state that those problems have caused the bourbon reform.Fifth, you need to give as much information as possible. You need to include as much information as possible.The sixth and the last point are that you need to start with an example of the statement you have to create. When you create the example it is your responsibility to keep it as brief as possible and the ideas should be interesting.

Price Elasticity of Demand

The Concept of Price Elasticity of demand in Healthcare Elasticity Elasticity means to the amount of receptiveness shown in supply side or demand side relative to variations in price. If a curvature is much more elastic, then minute amends in price will make big variations in quantity used. If a curvature is not as much of elastic, then it will make big amends in price to cause a variation in amount used. It can be illustrated by the form of the supply side or demand side curve.Advertising We will write a custom essay sample on Price Elasticity of Demand specifically for you for only $16.05 $11/page Learn More Price elasticity of demand It submits to the extent of receptiveness in demand side quantity in relation to price. In the example given below demand side is very elastic. It can be seen that if the price varies from US$ 0.75 to US$ 1, the quantity amount lowers. Explanation behind this can be that the purchasers might have access to an alternate medicine, so that as the increment in price occurs, he does not accept it. Other explanation could be that the purchaser didn’t find the medicine good enough, so any little variation in price has a big impact on the medicine’s demand. Source: Quantity q Elastic DemandAdvertising Looking for essay on business economics? Let's see if we can help you! Get your first paper with 15% OFF Learn More Healthcare – A general view with reference to price demand elasticity The healthcare sector constantly experiences price elasticity on its demand side regardless of different methodologies and researches. Even though the array of price elasticity approximations is comparatively broad, it inclines to middle on minus 0.17, implying that one per cent raise in the amount of price within healthcare sector will direct to a 0.17 percent decrease in expenditures. The variation caused by the price factor in the demand side can be associated to variations in the prosp ect of reaching any care rather than the variations in the frequency of stopovers. Additionally, the research constantly discovers lesser amount of demand elasticity at lesser stages of sharing cost. The health side demand is also believed to be inelastic in respect to income. The approximations of elasticity on the income level are in-between 0 and 0.2. The optimistic signal of the elasticity standard suggests that as income level rises, the demand side will also experience a rise. The scale, though, proposes that the demand side reaction is moderately little. Healthcare demand is considered by many specialists to be inelastic. If a person is ill, he is not going to show sensitivities in price. However some do fall away from the domain or e.g. surgery such as any form of plastic surgery or when you are buying eyesight glasses. Price elasticity was -0.2 in a study conducted by RAND Health Insurance for medicine expense . Is the demand Elastic-Healthcare Another research suggested th at the healthcare associations with prices are elastic. Its outcome suggests that the elasticity of healthcare and price are at -2.3 diagonally 0.65 to 0.95 tier of the allocation of expenditure, with a spot-wise 95precent assurance space at the 0.80 tier of -02.5 to -02.0. Even though the research permits to project the change with the degree of expenditure, it concluded that the projections were quite steady over the projected tier. As the quantity side is associated with the price side, it requires unsystematic surprise to quantity side in respect to recognize elasticity.Advertising We will write a custom essay sample on Price Elasticity of Demand specifically for you for only $16.05 $11/page Learn More When a family member has an injury, it would not influence the healthcare spending of others within the family i.e. if they are not facing injuries themselves. Though, the damage will utilize up a big section of a family’s amount and hence brin g down the insurance of the whole family rates from hundred percent to twenty percent . Few illustrations Price division is the expression used to explain diverse shapes of straight charging for medical treatments. In the United Kingdom, a lot of citizens have to give treatment charges that they are liable to pay whenever they require treatment or are given prescriptions. This treatment charges have their own effects. In projection, it is shown that the treatment’s demand is somewhat inelastic to price, having a negative 0.32 mean value. This implies that the treatment expenses charged are a good method to get funds, but they do not have an impact of any significance over demand. It was established in the research that increment in the treatment money charged from the 90’s i.e. 3.75 pounds to 4.25 pounds accumulated into a hefty amount which is thought to be in excess of 17 million pounds in additional returns but what they did was, it guided to a drop of 23 hundred th ousand in the figure of treatments and prescriptions given. This study also recommends that with the passage of time, treatments and remedies disbursed will become more and more elastic to price. The Hughes and McGuire research concluded that the increment in treatment services in healthcare are going to lift lesser proceeds but in turn direct to larger decrease in usage of approved medications compared to what it did during the past . During the year 2005, Ireland was graded the least of the European Union in relation to the medicine cost per occupant. The major causes for such a boost in Ireland included the prescription of fresher more pricey drugs, the amplified quantity of treatments as well as the alterations which took place in the qualifying standard. During the year 1997, the standard charge per disbursed medicine was around 11 pounds to 11.50 pounds in contrast with twenty three to twenty four pound in the year 2007. As the overall populace demographic patterns are alterin g, the prescription rates are also altering. Since the number of older people in Ireland has been increasing, the demand for treatment has been increasing too.Advertising Looking for essay on business economics? Let's see if we can help you! Get your first paper with 15% OFF Learn More It can be established that the demand in healthcare within Ireland is correlated as the prices of medicines are elastic to number of patients being treated. Similarly, the prices of medicine are also found to be elastic to the number of medicines disbursed. From the year 2000, Ireland has faced an upward trend in prescriptions of defensive/preventive drugs or treatment, a good example for which is the Statins . In a study carried out in the state of Massachusetts a subsidy was endorsed, for a chance to calculate the healthcare demand for the price elasticity function. The MEPS from the year required 2005 to the year 2007 demonstrated the figures that the people put out or consume over healthcare outflow, a substitute for the amount needed i.e. the demand and their average healthcare funding consumption, a substitute for the pricing. The graphs presented below, depict the points showing the descending inclination of the demand curvature. The elasticity for demand for the years 2005 a nd 2006, and the years 2006 and 2007 price is -1.95 and -0.18 respectively. Both are found to be inelastic, which means a sharper curvature for demand, which signifies a bigger advantage from the healthcare sector financial support. Source: Number in Massachusetts with a Healthcare Expense Source: Summary Works Cited Barry, Michael, et al. â€Å"Projecting the Impact of Demographic Change on the Demand for and Delivery of Healthcare in Ireland.† 2009. HRB. 15 October 2011 http://www.hrb.ie/uploads/tx_hrbpublications/Final_Report.ESRI.pdf. â€Å"Elasticity.† 2011. Spark Notes. 14 October 2011 http://www.sparknotes.com/economics/micro/elasticity/section1.html. â€Å"Is healthcare demand elastic?† 2009. Healthcare Economist. 15 October 2011 http://healthcare-economist.com/2009/07/22/is-health-care-demand-elastic/. Liu, Su and Deborah Chollet. â€Å"Price and Income Elasticity of Demand for Health Insurance and Healthcare Services: Acritical Review of the Litera ture.† 2006. Mathematica. 14 October 2011 http://www.mathematica-mpr.com/publications/pdfs/priceincome.pdf. Maguire, Jon. â€Å"Hotspots for Healthcare Savings.† 2011. MyDataMine. 15 October 2011 http://mydatamine.blogspot.com/. â€Å"Price elasticity of demand (PED).† n.d. OheSchools. 15 October 2011 http://www.oheschools.org/ohech2pg7a.html. Ringel, Jeanne S, et al. â€Å"The Elasticity of Demand for Healthcare.† 2005. Rand. 15 October 2011 http://www.rand.org/pubs/monograph_reports/2005/MR1355.pdf. This essay on Price Elasticity of Demand was written and submitted by user Muhammad S. to help you with your own studies. You are free to use it for research and reference purposes in order to write your own paper; however, you must cite it accordingly. You can donate your paper here.

Latin Jazz Ensemble essays

Latin Jazz Ensemble essays What do you know about Latin jazz? Latin jazz is the general term given to music that combines rhythms from African and Latin American countries with jazz harmonies from the United States. The two main categories of Latin Jazz are Brazilian, which included bossa nova and samba, and Afro-Cuban, which included salsa, merengue, songo, son, mambo, and cha cha cha. What made Latin jazz possbile? First, lets talk about the Latin jazz group, who made the jazz music exist long ago. Latin jazz group was a group who made up of a guitarist, vocalist, pianist, drummer, percussions In order to understand what I have learned about Latin Jazz in Music 103 class, I have to experience and listen to Latin jazz at a school-sponsored Latin Jazz Ensemble concert, which was held in the Philips Hall Theatre, on Saturday, May 1, 2004. There were about 5 people who were still standing in line to buy the last-minute ticket. I gave my ticket to the lady standing in front of the theatres entrance for her to tear off the tickets stub. After tearing off the stub, the lady showed me the program on the table near the entrance, which introduced the concerts details such as which song they were going to play, and who were performing it. I got one of them and went inside the theatre to find a good place to observe and listen to the concert. First, I chose a seat near the center, but when I saw two of my friends about couple rows in front of me, I decided to move my seat. I hate going to a concert alone. There were not many people nor my classmates in the theatre because mos t of them attended the Big Bad Meets Vocal Jazz concert, which was held on Friday, April 30, 2004. ...

Edgar Allan Poe Essay Example | Topics and Well Written Essays - 500 words

Edgar Allan Poe - Essay Example As Quinn (119) states, at the age of 18 Poe joined the United States army claiming that he was 22 years old and served there for two years. He released his first book of poetry named ‘Tamerlane and Other Poems’, relying on his salaries from the army. However the book got little noticed in the market. Frank (5) illustrates Poe’s biography that in 1829 when he was 20 years old, Poe enlisted in the west point military academy but unfortunately got dismissed just after one year; again in 1831 he moved to Baltimore where his aunt Eliza Clemm had lived. From there, he fell in love with his young cousin Virginia whom he married later. This marriage and thereby increased family obligations influenced him to think about a new income source. In 1833 he won a contest for his story ‘MS found in a Battle’. As described in the article ‘Edgar Allan Poe’ on www.poets.org/poet.php/prmPID/130 , Poe enthusiastically accepted the post of an editor as well as contributor of the Southern Literary Messenger. Subsequently, he worked with other publications such as Gentleman’s Magazine, Graham’s Magazine, Evening Mirror and Godey’s Lady’s Book; and it was the starting point of his career as an appreciated critic and essayist.

Raisin in the Sun by Lorraine Hansberry Term Paper

Raisin in the Sun by Lorraine Hansberry - Term Paper Example Adapting a classic piece of literature into film is a sophisticated task.The adapter has duel responsibility. On one side,he or she has to preserve the originality of the classic and on the other,he/she must be able to communicate the real meaning of the piece of literature. Utilizing a verity of techniques Daniel Petrie, the director of the film , A Raisin in the Sun(1961) did not only preserved the originality of the play, but also successfully transferred this classic of Afro American literature into a highly commendable film. Let me first discuss those adaptation techniques briefly. There are seven ways in which an adapter can transpose a play into movie (Desmond and Hawkes, 2006). These are visualizing the set, lighting, casting, musical tones, symbols and motifs, camera angles, and shot length. However, a creative filmmaker would not rely upon just one technique and would employ a variety of tools to make a movie engaging. Daniel Petrie used creative frame composition and shot variation to communicate the strong and shared emotions within the Younger family. Further, he brings the climax of the movie by capturing facial expressions of the characters in a close up. Moreover, he added or omitted various scenes and dialogues during the process of adaptation in order to make the flow of the film . Similarly, he creatively used music to communicate the real feeling of the characters and to move his audience In A Raisin in the Sun, the strong shared emotions and relationship of the black family play an important role to the overall development of the plot. The director communicated this emotional empathy with a creative series of shots and compositions that visually represented the shared emotions. Through the employment of this technical cinematic method, Petrise actually emphasized many important scenes of the play in his film. For instance, in Act Two, Scene One of the written play, for the first time in film, he uses frame composition to share the collectiv e family emotions. In fact this scene communicates a wide range of feelings. When Mama shares her purchase of the house in a better neighborhood, she herself and Ruth seems relieved and satisfied. Contrary to both the women, Walter not only seems angry and despairs but his dream of opening liquor shop seemed sunken. However, on the other hand Mama herself shows fear of the Walter’s possible reaction towards her decision. Screenplay script runs with an array of emotions and the filmmaker successfully expresses those emotions visually. The director utilized camera perfectly to capture those changing emotions on the actors' faces. For example, Walter mood changed from disbelief to dissatisfaction on hearing that the money has been used to buy a house instead of its investment in business. On the contrary, Ruth was extremely happy. But when Mama told them the location of the house, Walter became angry while Ruth’s frame of mind changed from joy to worry. Thus apart from di alogues, film depicts a vast spectrum of emotions through visuals. Petrise choice of using face-close-up is really effective. Petrise uses camera angle to create emotional effects. In Scene Three of Act two, he uses mirror to reflect Walter’s inner conflict . The camera cuts back and forth between Walter and Mr. Lindner. Through this technique, the director not only intensified the emotional meanings of the scene but also reflects Walter’s changing understanding of Mr. Linder offers. Film is a visual media therefore it is always preferable to rely upon emotions for the climax instead of dialogue (Duncan, 2006). Petrie's another smart choice is his exposition of climax through emotions rather than dialogues. These are the emotional moments when Bobo reveals about Willy’s run away along with their investment. This is disturbing news not only for Walter and Bobo, but for all the Youngers. During these critical moments Petrie’s framing Ruth into the scene is an ingenious choice as her reaction on such news is what viewers want to note. Moreover,

Photographer Comparison Essay: Cindy Sherman and Omar Diop

Photographer Comparison Essay: Cindy Sherman and Omar Diop Introduction The following study will analyse and compare the contemporary photographers- widely known for their conceptual portraits- American Cindy Sherman (b. 1954) and Senegalese Omar Victor Diop (b. 1980). The works selected are Albert Badin by Diop and Untitled (Self-Portrait with Sundress), both of which feature a persona explored through self-portraiture and conceptual portraiture. Thus, the works go in hand with my theme of identity. Cindy Sherman studied visual arts at university, focusing firstly on painting before later working with photography, which is now her most prominent medium. Sherman is one of the most respected photographers of the late twentieth century. The majority of her photographs are self-portraits, each featuring a feminist element which challenge the representation of women in society and media, as well as American popular culture. Hence, her works are a vehicle for commentary on contemporary American society. Omar Victor Diop studied at the Business School of Paris and worked in communications before concentrating solely on photography. His most famous series is Diaspora (2014) featuring staged self-portraits inspired by Spanish portraiture of the 14th and 15th century. It explores the identity of modern Africans and the role of African history, culture and heritage in the formation of such. Thus, his works explore the interconnectedness of collective and personal identity. Note: Diops name is both correctly spelt as Omar Victor Diop and Omar Viktor Diop. In this study, the former will be used. Diop Analysis of formal qualities Diops series Diaspora meaning the dispersion of people from their original homeland-was first exhibited in 2014. The series appropriates Spanish portraiture of prominent African figures who experienced African diaspora in the 14th and 15th century, with Diop as the subject. Diop produced this series while residing in Spain, during which he experienced cultural alienation. In recreating portraits of famous Africans who were alienated in the most extreme sense in Europe- experiencing racism, mocking, and complete abandonment from society- Diop conducts a personal search for both his own identity and the collective identity of Africans in Europe. The work investigated in this comparative study is Albert Badin (medium), a recreation of a historic portrait by Gustaf Lundberg. Badin- originally named Couchi- was born in 1747 or 1750 in either Africa or Saint Croix before being forced into slavery. Badin- meaning trickster was treated as a noble savage and permitted to work as a Swedish court-servant and butler of Queen Luisa Ulrika of Sweden. Badin was also a diarist and a fond member of the Swedish courtly life. As with the other figures in the Diaspora series, Badin- as stated by Diop- did not fulfil the usual expectations of the African diaspora insofar as they were educated, stylish and confident, even if some of them were owned by white people and treated as the exotic other. (via theguardian.com) Thus, through recreating the portrait, Diop investigates his own cultural heritage and gives figures omitted from history a voice once more, as well as celebrates them, as despite existing at a time where it was very unlikely for them to flourish during colonisation and slavery. (via trueafrica.co) they managed to lead a successful life. Diop achieves this through restaging the original portrait, wearing a near-identical costume and recreating the composition and colour scheme of cool shades of blue and white, which create a sense of harmony and balance. However, the portrait is not exactly copied in Diops piece, merely appropriated. It is readily recognisable, however, the works in Diops series all have a modern-day narrative through references to football. In Albert Badin, these are a whistle and a red card which replace the original works chess pieces. Curator Raquel Wilson has stated the use of football equipment demonstrates the duality of living a life of glory and recognition while simultaneously confronting the challenges of being other' (via omarviktor.com). Modern African players achieved recognition in Europe, yet face still racism, similarly to Badin. Diop states that this is the kind of paradox I am investigating in my work. as there is a very interesting blend of glory, hero-worship and exclusion. (via theguardian.com). The use of football equipment in Diops works ties together racism in both the past and present. In terms of formal qualities, the work mimics and appropriates the original portrait. Diop has a near identical angled tilted head, however, the original portrait is titled to the left whereas Diop turns to the right. Diop wears a similar costume and pose, as well as facial expression: both figures have eye-contact with the viewer in a confrontational, yet playful and manner, as if the figure were challenging the viewer to a game of chess or- in Diops work- presenting the viewer with a red card and whistling at him. In football, this means that the player has to leave the field. This could be representative of Diop criticising the viewer and indeed society of omitting Badin from history, punishing them with the red card. Annotations of Diop Modern appearance: through the high quality of photograph, the piece appears sleek and fashionable, which is to be expected, as Diop also works in fashion photography. The work is not edited to mimic the old and worn appearance of the original piece, as Diop wishes to give the piece a clear modern look. Although Diop recreates a portrait from the 18th century, there is a clear modern narrative through the aesthetics of the work and the use of football equipment. This highlights that problems Badin experienced hundreds of years ago- such as racism and alienation- remain contemporary issues today, and should not be forgotten. Comments on racism in past and present through football props: By making all the figures carry objects related to football, like balls, red cards and studs, I linked them to the present in order to situate them within the debate on immigration and the integration of foreigners into European societies. All these eminent but unknown people were the first to obtain recognition for black people for their exceptional talent. Today, its a talent for football that gives you that passport. (Omar Victor Diop via trueafrica.co) Symbolic form: Diop holds the whistle and red card in a staged manner, allowing the viewer to clearly see the objects. The viewers eye is drawn to them, indicating their importance. Head turned to right: Diop does not exactly replicate the original portrait, although the overall composition is near identical. Annotations of original portrait Head turned to left: one of the key differences between Diops work and the original portrait. Chess pieces: Badin hold chess pieces, representing his intellectual as well as playful and entertaining personality. Interpretation of function and purpose Diop himself poses as a forgotten man. The work is a self-portrait, and as a Sengalese himself, Diop thus explores his own identity, as well as his African heritage. Diops work demonstrates the link and interconnectedness between cultural and collective identity and his personal identity, critically through putting himself in the shoes of figures of the African diaspora as Diop takes on the role of Badin and poses as him. Through the use of modern football equipment and the sleek appearance of the photograph, there is a modern narrative prevalent in the piece. As Diop stated, he wanted to bring these rich historical characters into the current conversation about the African diaspora and contemporary issues around immigration, integration and acceptance. (via thegurdian.com) Evaluation of cultural significance As mentioned previously, Diop gives African historical figures omitted from historical discourse a voice who Diop states ought to be celebrated (via trueafrica.co) and forces the figures into a modern narrative once more. Diop himself belongs to the modern generation of young, successful Africans who chose not to abandon their country, despite being presented the chance to: Diops family is in the upper middle-class and Diop studied and worked in Europe for many years. Thus, contemporary issues relating to Senegal and the African continent influence his work greatly. The portrayal of Africa in often a negative one, featuring nothing but poverty and generalising the large and diverse continent to nothing but stereotypes. In depicting successful African figures who were forgotten in historical discourse, Diop reminds the viewer of the complexity of African history and culture, and speaks against and challenges the negative representation of Africans in popular culture. Furthermore, Diop explores what it means to be a part of modern Africa, and investigates how history influences both personal and collective identity. Through confronting the viewer with historical figures- perhaps in a damning way, represented through presenting the viewer with a red-card- Diop forces the viewer to contemplate and reflect on African history, critically as Diop himself exhibited the series in Dakar and later in France, which has a colonial past and a large amount of African immigrants. Therefore, both the artist and the viewer contemplates the balance and interconnectedness of modern-day Africa and the rich and complex African diaspora. Sherman Annotations Caricature of stereotype: In this work, Sherman takes on the role of a middle-class woman, which is indicated by her tacky jewellery and costume, on vacation, shown by her intense sun-tan. Thus, Sherman handles a multitude of stereotypes in the work: Americans, women, and the working-class. Analysis of formal qualities The work analysed is Untitled (Self-Portrait with Sundress), however, while researching, it was found that sources have also titled the piece Untitled (Self-Portrait with Spraytan). In this study, the former will be used according to the auction site artnet.com, which was deemed a reliable source. The piece was created in 2003 and is a chromogenic print on smooth white paper with full margins, and 66 * 40 cm. The work is a part of Shermans early 2000s series of self-portraits, which feature Sherman in different costumes and poses, portraying female stereotypes in American film, television, and advertising. Through the medium of photography, Sherman mimics reality and constructs new identity: a persona. In doing so, Sherman criticises the subject and role she takes on. In the case of Untitled (Self-Portrait with Spray Tan), Sherman critiques American society for its superficiality and consumerism as well as banality. As with most of Shermans work, it is a self-portrait, in which Sherman uses makeup, costume, and props to depict a common American stereotype and visually and socially-defined personality type. Sherman is barely recognisable and easily changeable as she depicts an intensely tanned subject in a sundress. The subject is posed in an unnatural manner, and her features are exaggerated, thus creating a caricature. In terms of visual properties, Sherman Quotes I feel Im anonymous in my work. When I look at the pictures, I never see myself; they arent self-portraits. Sometimes I disappear. via artlyst Interpretation of function and purpose The work forces the viewer to confront and reconsider stereotypes through. Sherman does not define where she stand in relation to he works, and the interpretation is left open to the viewer. Ultimately, the reaction of the public to her work says more about the viewer than the subjects themselves. In another sense, Sherman argues that personal identity is comprised solely of social dictates and personal intention in that she constructs a persona entirely of vison and socially defined personality archetypes. more Protagonist can escape role, identity construct, fluid, persona Sherman does not fix herself in single social position (quote) Evaluation of cultural significance Sherman has played a major role in various art movements, each of which are reflected in the piece. Feminist movement: Emerging in the late 1960s, the movement sought to criticise and change the world through art, with a specific focus on women and their roles in society over a longer period of time, being the nineteenth to twenty-first century. Sherman, as other feminist artists, include the female perspective in their works and question the social landscape of their context. She explores femininity as a social construct and examines female typologies. In Untitled (Self-Portrait with Sundress), Sherman takes on the role of the stereotype of a sun-tanned, middle-class American woman on vacation, with a so-called cheap appearance. Through creating this character, Sherman explores the role of appearance in the formation of identity, particularly female identity. Thus, Sherman reworks archetypes as both a creator- and woman- and character. She re-establishes women and what it means to be a woman in todays world, and freezes herself in the role she takes through the medium of photograp hy. Thus, the works are both deeply personal and feminist. The Pictures Generation: This label often refers to both contemporary artists and specifically visual artists active in the seventies and eighties. Critically, the artists use appropriation and montage, as well as explore the constructed nature of images through the medium of photography. As with Shermans work, members of this movement often seek to trigger social criticism in viewers saturated by mass media. Indeed, the artists themselves were heavily influenced by the saturated image culture of the United States, and thus, the works challenge traditional art forms and mimic the artificiality of media and in particular advertising. Works appear mass-produced and blur between fine art and popular images, as they are composed with conceptual frameworks. Sherman specifically explores the boundaries between original and fabricated reality through an exaggerated appearance with a clearly staged environment and printed the photographs in large-scale and bright colours, yet the works are c learly inspired by reality. This creates a blend of performance and photography itself. Diop Sherman Making comparisons and connections Formal qualities: Whilst both works share the medium of photography and are self-portraits, the subjects portrayed are vastly different. Both Sherman and Diop take on personas which differ greatly: Sherman poses as an American sun-tanned woman, Diop is a historical figure. In terms of visual properties, the photographs Position, composition Both artists appropriate to some extent. Diop directly mimics a historical portrait, whereas Sherman imitates a specific archetype. The subject is easily recognisable, and thus leads the viewer to question the role of appearances in the formation of identity, and how appearances can or cannot be misleading: does the fact that the artists dress up as a figure mean they are the figure? As the works are self-portraits and the subject is the artist themselves, there is undoubtedly a strong personal link to each work for the artist. Furthermore, both works have a strong element of artificiality. The photographs are staged and feature the subject in exaggerated costume and makeup, and are not designed to be an accurate reflection of reality. However, Sherman deliberately creates a caricature of the subject, whereas Diop recreates a historical portrait with added football props, carrying a symbolic meaning. Function and purpose: Critically, Diop explores the paradox of modern and historical identity, as well as the role of history in the formation of contemporary African identity. Through posing himself as Albert Badin and the use of football symbolism, Diops work investigates the link between our culture, the history of our homeland, collective and personal identity of Africans. Contrarily, Shermans work does not have a focus on history, and instead focuses solely on modern American society and how this influences the personal identity of women. Cultural significance: In terms of cultural significance, the two artists share little to no similarities. However, critically, both artists reflect their own cultural context through their works: Sherman mirrors American stereotypes whereas Diop explores the contemporary question many young Africans face today, being balancing cultural history and modern identity. Making connections to own art making practice Formal qualities: Photography, self-portraits, costume and use of props, simple background Function and purpose: Aim of pieces, small size?, artificiality à ¯Ã†â€™Ã‚   Sherman Cultural significance: Cultural element à ¯Ã†â€™Ã‚   Diop Sources: http://www.artnet.com/artists/cindy-sherman/untitled-self-portrait-with-sundress-aHQ26YzCxxzu-QkGJzHEAQ2 http://www.artlyst.com/Cindy.Sherman http://www.rencontres-arles.com/C.aspx?VP3=CMS3VF=ARLAR1_213_VFormFRM=Frame%3AARLAR1_254 http://africanah.org/omar-victor-diop-2/ http://www.omarviktor.com/project-diaspora http://trueafrica.co/article/omar-victor-diop-on-dakars-spectrum-of-possibilities/ https://i-d.vice.com/en_gb/article/omar-victor-diop-is-documenting-a-new-generation-of-african-creatives http://www.theartstory.org/movement-feminist-art.htm http://www.theartstory.org/movement-the-pictures-generation.htm http://www.theartstory.org/movement-conceptual-art.htm http://www.blackpast.org/gah/badin-adolf-1747-1822 http://www.artspace.com/magazine/art_101/art_market/pictures_generation-51922

Currency Derivatives Essay

Preference of equity and commodity over Currency derivatives trading in India survey Kindly spare some minutes to fill this form and be a part of real customer perception survey and support us to gain an insight about the preferences of Indian retail investors for trading in market and the reasons behind the existing popularity of currency derivative market in India. 1. Did you ever think of currency derivative market as trading option? Yes, I trade in currency market No, but planning to invest after performing research? Never, what is Currency Derivatives? 2. In which market do you trade? (Choose all that apply, skip if you do not trade) Equity Commodity Currency Derivatives 3. Rate your expertise in the market: (Choose one level for each) Zero Commodity Currency derivatives Equity Beginner Intermediate Expert 4. Given Rs. 1000, how would you allocate the money among these investment options? (Allocation should add up to Rs. 100). Hedger Commodity Currency derivatives Equity Speculator Arbitrager 6. Choose and rate from 1 to 3 among the following attributes for each market. (Fill for only those market in which you trade) Returns Market volatility Portfolio diversification Hedging Arbitrage Commodity Currency derivatives Equity 7. Why do you think Indian retails investors have less preference towards currency derivatives market? Strongly agree Not enough self knowledge Less popular among peers Lack of govt. initiatives Agree Neutral Disagree Strongly disagree.